MICHAEL J. LOVE
INTERDISCIPLINARY TAP DANCE ARTIST
Photo © 2017 by Cindy Elizabeth
Michael J. Love is an interdisciplinary tap dance artist—a choreographer, scholar, and educator whose embodied research intermixes Black queer feminist theory and aesthetics with a rigorous practice to engage in thinking on the Black cultural past and Black futurity.
Michael holds an M.F.A. in Performance as Public Practice from the Department of Theatre and Dance at The University of Texas at Austin. He works between the fields of performance studies, Black dance studies, and Black queer studies. Michael also holds a B.S. in Marketing Communication with an emphasis in entertainment marketing and public relations from Emerson College.
Michael's work has been supported and presented by Fusebox Festival, ARCOS Dance, and the Cohen New Works Festival. Michael has also collaborated with transmedia artist Ariel René Jackson on a number of videos and performance pieces that have been featured in the New York Times Style Magazine's #TBlackArtBlackLife Series and programmed by CUE Art Foundation (New York, NY), the New Museum (New York), SXSW (Austin), the Galleries at the University of Northern Colorado, the Jacob Lawrence Gallery at the University of Washington, PARA Foundation (Berlin), Vox Populi (Philadelphia), the George Washington Carver Museum, Cultural, and Genealogy Center (Austin), and the Visual Arts Center at The University of Texas at Austin.
Michael is an Austin Critics' Table Award winner and a B. Iden Payne Award nominee. He was a laboratory cast member of the Savion Glover and George C. Wolfe Broadway musical Shuffle Along, performed with award recipients, The JaM Project, at the 2016 Capezio ACE Awards and DancerPalooza's 25 LIVE!, held principal and soloist roles with Tapestry Dance Company, danced with Baakari Wilder at the DanceAfrica DC Festival, toured throughout the country with the Mike Minery-choreographed TAP: The Show!, and performed with Andrew J. Nemr's New York City-based company Cats Paying Dues.
Additionally, Michael has collaborated with a number of theatre artists, setting movement for siri gurudev's The Future of Ismael, as directed by kt shorb at Generic Ensemble Company, and Ari L. Monts' black girl love: an adaptation project, as directed by kt shorb and Simone Raquel Alexander at Generic Ensemble Company/ The Vortex (Austin), as well as Caridad Svich's 12 Ophelias and Drew Paryzer's Loverboy as directed by Jess Shoemaker at Texas Theatre and Dance/ Texas Performing Arts.
Michael has over eighteen years of experience as a dance educator and teaching artist. He has taught multiple disciplines in a number of educational settings and created and set ensemble and solo works on young artists across the country and internationally. Most recently, he has worked with NOW Dance Workshops in both Monterrey (Nuevo Leon) and Guadalajara (Jalisco) in Mexico and Creative Action (Austin) in Central Texas. He is currently on faculty at Dancers Workshop in Austin, TX.
Michael is originally from the Washington, DC metropolitan area where he trained as a member of the acclaimed Tappers With Attitude Youth Ensemble.